![Hounds of love review kate bush](https://knopkazmeya.com/20.png)
![hounds of love review kate bush hounds of love review kate bush](https://infeltwetrust.files.wordpress.com/2021/01/c04670ff-2544-4aa4-907a-9dfad265b51b.jpeg)
![hounds of love review kate bush hounds of love review kate bush](https://images-na.ssl-images-amazon.com/images/I/41RJDNB%2BqWL._SX466_.jpg)
It’s about a nostalgic, revisited moment. It’s very much a song about someone who is sneaking away from a party to meet someone elusively, secretly, and to possibly make love with them, or just to communicate, but it’s secret, and it’s something they used to do and that they won’t be able to do again. Bush says that it only took an afternoon in a studio to record, and also noted that: It’s a gentle, restrained song, with only a hint of drama, centered around Bush’s piano, with choirs of multi-tracked Kate Bush providing emphasis as required. But the prettiest song from the era is ‘Under The Ivy’, originally released as the b-side to triumphant lead single ‘Running Up That Hill’. It’s clear in hindsight that this was an extraordinarily creative time for Bush, and the 1997 reissue highlights several excellent non-album tracks, including a beautiful solo vocal on the traditional ‘My Lagan Love’ and ‘Burning Bridge’, the uptempo and memorable b-side to ‘Cloudbusting’. She went as far as to partition her two facets off – the first side of Hounds of Love was dedicated to hit singles, while the second half was a conceptual song cycle about drowning. Tekken 7 is the most popular fighting games. There was a lot of pressure for her followup, and Bush responded with a magnificent album that perfectly balanced her commercial and artistic sides. In the summer of 1983 Bush built her own 48-track studio in the barn behind her family home which she could use to her advantage and at anytime she liked, without time constraints she had to deal with when hiring studios elsewhere. Like Peter Gabriel, a kindred artistic spirit in this era – the pair would later duet on ‘Don’t Give Up’ – she built tracks up on the Fairlight CMI synthesiser, layering strange instrumentation and unusual time signatures. Her third album, 1980’s Never For Ever, was the first studio album by a female solo artist to reach number one on the UK charts.īut The Dreaming had been a step down commercially from her previous triumphs, and tracks like the lead single ‘Sat In Your Lap’ were artistically challenging.
![hounds of love review kate bush hounds of love review kate bush](https://www.geeknplay.fr/wp-content/uploads/2022/07/Kate-Bush-511x360.jpg)
She’d previously enjoyed ground-breaking UK success her debut single ‘Wuthering Heights’ made her the first female artist to hit UK number one with a self-penned song. Kate Bush‘s 1982 album The Dreaming was excellent, but it wasn’t especially commercially successful.
![Hounds of love review kate bush](https://knopkazmeya.com/20.png)